Friday, June 18, 2010

Major Project


"Rock'n Billy"

Being a big 50's rockabilly fan I set out with the intent of re-creating a 50's swing scene.
I did things a little differently to everyone else, although the development of ideas was proposed first. I shot my deep etch subjects (Jukebox, Megan & Megan's Identical Twin) first & created a scene in photoshop afterwards.

I gained alot of knowledge that Im still working on polishing about perspective & light using photoshop to create the room & shadows featured in the image. I had Andrew Burke suggest some alternative approaches for future reference.

I quite enjoyed this project & look forward to exploring the ideas & technique with different scenes & subjects in the future.

Panorama


So after some exploring of some local nature tracks I found a lookout which Im going to keep secret (haha!)
I shot 6 images to make up the panorama, shot late afternoon keeping some important things in mind...
  • Use a tripod
  • Overlap each photo by roughly one third allowing good alignment when you come to merge the images a one
  • Use a smaller aperture to maximise depth of field (have the whole scene as sharp as possible)
Some things I could have done differently or thought to take into account
  • Shoot in portrait orientation instead of landscape orientation to avoid a skinny panorama crop, allowing more room top and bottom for environment detail.
  • Explored my surrounds a little more for a better position to include more of my foreground interest in the end result.

Tuesday, May 11, 2010

Calibration #4

Imaging Technique Presentation - Resubmission

Chosen Technique - Creating a realistic flowing liquid

As we are shooting glass for our studio assignment I thought this technique could come in handy for some experimental work.

In this technique I will be using
  • Artistic bubblewrap filter
  • Dodge & Burn Brushes to create & shape effects of light
  • Experiment with a "Hard Light" overlay in layer modes
  • and "Inner Bevel" in Blending Modes
I also experimented with the smudge tool to soften edges of the liquid & neaten them up.

Original Image

After


I referenced off this tutorial from
http://www.crazyleafdesign.com/blog/making-a-flowing-liquid-effect-in-photoshop/

Wednesday, May 5, 2010

HDR Final - 1966 Ford XP Falcon Deluxe

So after speaking with Megan Olsen & reading through some HDR photomatix websites I think Ive finally got the hang of an intense HDR effect. I used 5 exposures, combined them in photomatix, tweaked tonal mapping using a grunge preset which seemed to give me the most desirable effect then I took all my original RAW images & the generated HDR into photoshop for some final tweaks. Still not PRO looking but I think Ive achieved a good result for my 2nd ever attempt...


BEFORE


AFTER

Tuesday, May 4, 2010

High Dynamic Range

Ok, so heres my 1st attempt at creating HDR images - I have never before created a HDR Images. I can see slight differences between the original "correctly exposed image" & the HDR generations but Im not sure I've used this new program properly (Photomatix) nor do I really know what Im looking at besides more tones throughout the overall image in light & dark areas.

BEFORE

AFTER

BEFORE

AFTER

Wednesday, April 21, 2010

Calibration #3


This week seems to meet the requirements better than our last result again.
Our Luminance value is only out .8 which is the closest result we've had yet.

Wednesday, March 31, 2010

Calibration #2



We seemed to have a better run this time around.
The input / output graph seems to have lined up better though its still not perfect. Our luminance value is slightly high but nothing too blown out.

Overall it seems to be a better result than last week.

Monday, March 29, 2010

Imaging Technique Presentation

Chosen Technique - Correcting a snow scene

Moving into winter some of us may head to the snow.
Im going to be demonstrating how to correct colour balance, contrast and lighting issues that some of us may come across when photographing a snow covered scene.

Why does the image result in having colour cast issues?

Your camera's auto light meter will read the snow as a neutral grey tone & its white balance settings can jump out of whack due to the bright lighting conditions, with the snow acting as a second reflector, as such. Most pre-set white balance options don't tend to work in in these conditions, being the main result in the images blue colour cast. So, it is ideal to do a custom white balance. Though not technically ideal, I can show you a photoshop alternative to correcting your snow scene.

So here's the result of an image holding all of these issues within its initial capture


  • Selecting your chosen snow scene image, take it into Photoshop, double click the background layer to make it editable, duplicate that layer & turn off the original layer.
  • Selecting colour balance in your adjustment layers at the bottom of your layers palette.
  • Firstly, I'm going to be working with the images colour balance. Making sure "preserve luminosity" is ticked, keeping the vibrancy within the image & the "midtones" tonal option are selected, we're going to be steering away from that blue cast in the image.
  • To do so, I simply pushed the reds up to about +50 taking away from the cyan cast & pushed the yellow down to around 60ish, leaving the magenta / green levels alone.

As you can see some, but not all of the blue cast has been deleted from the image.

  • Now staying within the colour balance option & keeping "preserve luminosity" ticked. Toggle to the "highlights" selector. We're now going to be correcting the highlights within the image.
  • Again saying away from the magenta / green sliders, I simply pushed the reds up to around +30 & pushed the yellow down to around -25, again minimising more of the blue cast.

  • Now working with "levels" on a new adjustment layer, above the histogram select "CYMK" in the drop down menu.
  • Move the white slider left to a value of around 230. This will lighten the image.
  • Take the mid-grey slider right to a value of 0.84. This will brighten the image.
  • Now above the histogram again, select "CYAN" in the drop down menu.
  • Move the white slider left to a value of around 220. Also, move the mid-grey slider left to a value of 1.14. This will get rid of the final bits of the blue cast.
The final step is to fix the yellow / magenta cast over the image from getting rid of the blue.

  • Again above the histogram select "MAGENTA" in the drop down menu, then proceeding to move the appropriate sliders to rid the magenta cast. Then doing the same for the yellow cast.
Then being left with your final corrected image.





BEFORE & AFTER




References

Tutorial Source
- Digital Photographer Magazine, Issue 90, Image Publishing

Can also be found under Issue 90 at http://www.dphotographer.co.uk/tutorials.php

Image Source
- Off disc included with Digital Photographer Magazine, Issue 90

Photographer - Ron Sutton

Info Source - http://www.digicamhelp.com/how-to/nature/snow/

Wednesday, March 17, 2010

Calibration #1


Our RGB Imput / Output values don't seem to meet perfectly, especially towards the lower end of the scale. We adjusted our target values to meet but whilst doing so it seemed the calibrator was adjusting the values automatically. So this is possibly where we went wrong.

Hopefully next time we have a smoother run & watch the values closer when conducting the calibration.